my first home is alberton; my second home is moncton; my
home home is margaree.
dad and i went for a quick three day trip the end of april.
this is my old backyard.

this neighbors my grandparents' property.

this is after the arduous trek down the cliff to the river. when i was a child it was all rock, but now soil is wedging itself between the stones, and this reedy bush grows, and leaves and natural refuse catch on the branches and look like some sort of earthy flower.

this is the road by my grandparent's house. it's gradually returning to the earth. forgotten by any officials in charge of road repair. and this is not the worst of it. on the bright side, it's a really fun road to drive because you never know what surprise awaits you!

last year i wrote a piece for class on how there was a little piece of land in margaree that i wanted more than any other.
excerpt:
' When I was less than 10, my mother, my younger brother and I walked halfway up my grandpa's mountain to visit my father at work. I can still remember the heat of the sun-warmed land, and my father sitting on a log in his orange gear, dirty and tired, the brush spread haphazardly over the cleared land, and then I ask about a single towering tree upright, smack in the middle."Grandpa couldn't cut it down," Dad tells me. "It's been there for a long time."Being in Margaree for a weekend is beautiful, but then comes the leaving part, which we've done many times. Leaving repeatedly emphasizes the need I feel to put down roots in a place, for the first time I left Margaree, it taught me to fear change. Leaving makes me hang on to every tree, every memory and every tradition. Though there is always a time and a place for leaving, I hate it: goodbyes, packing, sitting on my suitcase to shut it, everything, all of it. I want to cling to that one tree of my Grandpa's because if someone didn't know, they might erase it off the mountain. I want to save it. I never want to let go.'for me that particular elderly tree is a powerful image of the sense of survival that margareers know instinctively. the harsh canadian landscape typical of canadian lit
is cape breton. the struggling and scratching to survive is natural to the descendants of the scottish settlers who left scotland for cape breton in hopes of a chance of survival accepting the nearly impossible difficulty of farming in the mountains because it reminded them so much of home.
it's instinctive, as i said previously. the love for the harsh land summed up so beautifully by Alistair MacLeod in
No Great Mischief. the unbreakable bond of family drawn together by the need to survive, together. the forced exodus to the wealthier states, and then the helpless return to cape breton, because...
here i have a home but i have no money. there i have money but no home.-
No Great Mischiefi'm off track.
the reason dad and i traveled back in april was because of illness in the family. grandpa, he who would not cut down the tree, though he was in the business of cutting down trees. he respected the way the tree clung to the earth in survival. anyway, grandpa is ill. we went back because of it. it was a difficult three days.
dad had read my little composition. he liked it because he understood it naturally; it is even more his heritage than mine. so while we were in margaree, dad hiked up to the tree. like me, he searches out sentimental moments. but we didn't realize how sentimental this moment would be.
it was dying. he hid in the sawmill and cried.
later i said: 'if that was a metaphor in a book i'd think it was awfully heavy-handed'
i went down to the river for a long time and i wished i'd never written a word.
anyway. Grandpa and the tree. there's fight left in them yet. aren't they practiced in the art of survival?